August 2002 Archives

August 28, 2002

More good news in the Copyright Wars

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I stumbled across this interview with general counsel for Verizon about peer to peer, and found it somewhat reassuring. The RIAA/MPAA have pushed so hard for the laws and protections they want (in order to maintain their stranglehold on music and video respectively) that they've started to irritate the big boys of telecom.

August 26, 2002

As you can no doubt see, randomtree.org is back online following the move. The new apartment is working out quite well, though there's still a lot of work to be done. Sigh. More later… I want to exercise this nice connection a bit. ;)

August 8, 2002

If I had a million dollars…

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Or an extra $400, anyway: Olympus C-3030Z. Maybe I can get Jen to spring for one when we finally pay off some of this debt.

August 7, 2002

Music Industry (Part Two)

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Also via Instapundit, his TechCentralStation column on the Digital Rights Management bill:

For years now, I've been saying that the record industry's long-term legislative strategy had less to do with preventing copying than with sewing up the market to ensure that Big Entertainment companies won't have to worry about competition from independent artists. It looks like I've just been proven right.

The record companies are showing a definite trend here. If you look at this bill, and the way they handled royalties for Internet radio stations, it's increasingly obvious that copy protection etc isn't about protecting artists' incomes, or their intellectual property, or about the artists at all. It's about protecting the incumbent record companies from competition, about enforcing the status quo whatever the cost to the rest of us.

Music Industry (Part One)

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Via Instapundit:

Charles Dodgson writes about "plastic puppet" musical artists:

The nightmare scenario for this sort of music marketing is that what is actually turning people off isn't the dressing du jour on the industry's plastic puppets, but just that they are in fact plastic puppets, poured into a commercial mold formed entirely by record executives who are completely out of touch with their audience.

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